Friday, June 24, 2016

As long as it...


     Most people walk into movies already aware of the actors/actresses or the story of the film but  with an open mind towards new ideas or concepts, surprising turns, or unfamiliar faces, two minute movie trailers becomes irrelevant to a viewer's expectations. Through pictorial and/or audial effects, an exceptional movie should captivate its audience, pose significance in a person's life, and/or create an unfelt emotion. After watching a film the viewer should engage in the underlying meaning of the film, one that lies deeper than what is produced on the screen. A viewer should feel engulfed or enlightened by the works of the actors/actresses, director(s), producer(s) and all other helping hands. A movie that is compelling, noteworthy, or exceptional is not just a movie, rather it is the untold story of each viewer.
     The common English idiom, "A picture is worth a thousand words," can be further justified through silent movies, such as Le voyage dans la lune and The Great Train Robbery. For example, even without sound, Le voyage dans la lune demonstrates exhilaration and astonishment through the excitement of the astronomers as they intently listen to the prisoner and the creativity of the moon's landscape from director and screenplay writer, Georges Melies, along with Gaston Melies. Nevertheless, with the addition of playful, whimsical scoring and  descriptive narration, the film becomes tied with a sense of nostalgia as it connects the importance of dreams and individuality. However, Edward S. Porter's film, The Great Train Robbery, did not include narration, but continued to portray senses of urgency of the antagonists and confusion of the civilians through bright, exhilarating music. As the robber shoots the viewer at the end of the film, it leaves the viewer to ponder about Porter's thoughts and wishes-- was he interested in showcasing that through hard work most anything can be achieved or did he mean to tell us that not all stories have happy endings.
As viewers, it is important for us to not only limit emotion with words of modern films, but also reflect on the art of silent films and acknowledge their ability to tell stories without audial effects.


"I get these flashes of brilliant clarity where for a second I stop and I think 'Wait, this is it, this is my life. I better slow down and enjoy it because one day we're going to end up in the ground and that'll be it, we'll be gone," Lily Collins as Samantha Borgens in  Stuck in Love.

Since first viewing the film, directed and written by Josh Boone, these words from Samantha Borgens consistently resonate in my head. They unfold my story and advise my life to write itself rather than dwell on the past or look toward the future. In addition to the reminder to live in the moment, Stuck in Love gives rise to the classic "happily ever after ending" as the Borgens family learns to accept forgiveness, despite heartbreaks, and show compassion towards one another as they rebuild their family through determination and optimism. Although the ending may seem predictable or cliche, I was reminded that second chances are given and love is everlasting.


Furthermore hrough the movie, The Prestige, screenplay writers,Christopher Nolan and Jonathan Nolan's, development of the movie has various twist and turns from the beginning and helps stimulate my mind and engage it into critical thinking. The plot is about two friends who compete against each other to perform the worlds greatest magic trick; however, one of the magicians leaves a mark by creating real magic. In the end it reveals that the magician had a twin brother that portrayed his duality in the whole film, showcasing that "not everything is as always as it seems."